In Iron Man 3, Tony Stark wrestles with the ramifications of the events of The Avengers (2012) during a national terrorism campaign on the United States led by the mysterious Mandarin.Īfter the release of Iron Man 2 in May 2010, director Favreau chose not to return for a third film. as Tony Stark / Iron Man alongside Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stéphanie Szostak, James Badge Dale, William Sadler, Miguel Ferrer, Jon Favreau, and Ben Kingsley. The film was directed by Shane Black from a screenplay he co-wrote with Drew Pearce, and stars Robert Downey Jr.

It is the sequel to Iron Man (2008) and Iron Man 2 (2010), and the seventh film in the Marvel Cinematic Universe (MCU). Do yourself a favour and see this inconspicuous little film that is so profoundly simple and beautiful that you'll be wanting to send me a thank you note afterwards for telling you this.Iron Man 3 (titled onscreen as Iron Man Three) is a 2013 American superhero film based on the Marvel Comics character Iron Man, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. I'm gonna quit here, there's really nothing much more I can add. And besides that, he manages to squeeze in some real drama and the occasional laugh.

The film actually becomes light as feather, and then lighter. pacing is perfect - he tells the story with images more than with events. The light is superb, the framing, everything. And STILL the images are nothing less than breathtaking. But none of that here - mainly indoors or in the city - just a guy spending his nights at other unknown people's places while they're away, and in turn repairs stuff and cleans/does the laundry.

But then I still thought 'well, anyone with reasonable skill can get a good image out of such landscapes/spaces'. Despite the fact that I did not like The Isle at all, the photography was utterly unbelievable. But then you forget about Kim Ki-duk! If anyone was born with the eye of the cinematographic magician, it must be him.

Add to this the fact that any dialogue almost entirely fails to manifest itself. Its story is of such unbelievable simplicity that at the first sight of such a script you'd wonder how on earth it would be possible to make it into a film - or tell anything with it that goes beyond the script. In a nutshell - I dare anyone to find a film that is more sober and so light and that at the same time fills you with a deep warmth an and all encompassing feeling of great tenderness.

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